Course description
The course consists of eight chapters that will cover different areas of playing: technique, strokes and syllables, speaking djembe rhythms, sheet music adaptations, and Adama´s own compositions.
You will learn to play the djembe sensitively and musically - a way that made Adama Dramé world famous.
- 8 video lectures
- 134 exercise loops in 3 different speeds
- PDF sheet music
- over 13 hours of video material
- Adama's biography
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Unique expression
 Adama´s unique playing style extends the possibilities of musical expression on the djembe.
His vocabulary consists of ten strokes, and each of them corresponds to a syllable. His technique combines elements from traditional West African style, Cuban conga, and Indian tabla.
It´s easy to learn from Kalanso. Each chapter contains a section where you get to practice with Adama.
TESTIMONIALS
Kalani Das
MT-BC, World Drum Club YT Channel
" Kalanso is an intimate visit with a master musician. Students will discover new ways of approaching the instrument, not found elsewhere. The rhythms, textures, tones, and compositional nature of the material can provide years of discovery, challenge, and enjoyment. Kalanso is a unique opportunity to grow as a musician, drummer, composer, and performer. "
Juuso Hannukainen a.k.a. Batusizer
Percussionist, Producer
"It was inspiring to meet a musician who has expanded different possibilities of this great instrument without forgetting where it comes from."
Michel Weelen
Percussionist, djembe instructor
"The musical material is absolutely great, and there is work for years."
"Standing on the shoulders of ancestors, viewing towards the future."
Djembe master Adama Dramés career is exceptional in many ways. He is one of the first ambassadors of the Djembe drum, touring internationally since 1979.
He is the first percussionist to become famous for solo performances with the djembe.
Up to these days, his unique playing style is being constantly developed and adapted to new musical settings.
After 54 Years of career he refuses to consider his music a museum object but still keeps searching for new dimensions of his instrument - the djembe.
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Frequently asked questions - FAQ
I am a complete beginner; will I be able to learn with Kalanso?
- Yes, The tutorial consists of 8 chapters, and the first two are suitable for entry-level beginners. Once you practice the first chapters successfully, you will be able to proceed to the next chapters.
I am an experienced/professional player; what will I get?
- In Kalanso, Adama Dramé reveals his complete playing technique for the first time in front of cameras. Once you learn the method through chapters 1-5, chapters 6-8 will provide enough material to take your playing to the master level. Profound studying of chapters 6-8 can take several years of practice, even for professionals. You also get to see Adama´s exclusive interviews and tips on how to become a good djembefola.
What is Kalanso?
- Kalanso is a complete tutorial for the djembe by master drummer Adama Dramé. The tutorial features 13 hours of video material, 136 exercise loops, play-along videos, written instructions, complete sheet music, exclusive interviews, and Adama´s biography.Â
How do I use it?
- Kalanso is a step-by-step online course. Once you enroll in the course, you get access to the curriculum. You can use it on mobile devices and computers; the amount of devices is not limited.Â
Can I buy temporary access to Kalanso?
- No. All the plans are for life.Â
What are the system requirements to run Kalanso?
- You need a device that can play videos and has a good internet connection. Even slower connections can be used, but the video quality will be automatically reduced. Using headphones is recommended.Â
Can I use it offline?
- You can practice without the videos when you write down the syllables and print the sheet music. You can only access the videos online; you can not download them.
Is there a money-back guarantee?
- No. If you are hesitating to invest in the complete course, you can buy the lessons individually. Check the testimonials section for reviews.
Is Kalanso available in other languages than English?
- For the moment, the material is available only in English. A French version will be published in 2021.
Can I give Kalanso as a gift to someone?
- Yes. You can enroll in a course and pay for it as usual. Instead of adding your e-mail address, use the e-mail address of the person you want to give it to. Set a password, give it to the giftee, and ask to change it afterward.
Example Curriculum
Welcome
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Biography
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1. Djembe Basics
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- About this chapter
- Sheet music Chapter 1
- 1.1. Playing position (0:36)
- 1.2 The strokes and hand placement (3:01)
- 1.4 Play the strokes (2:11)
- 1.3 Sing the strokes (2:38)
- 1.5 Sing and play the strokes (1:11)
- 1.6 Keeping time (0:59)
- 1.7. Introduction to calls (1:43)
- 1.7.1 Call 1 (0:40)
- 1.7.2 Call 2 (0:37)
- 1.7.3 Call 3 (0:30)
1. Djembe Basics, LOOPS - Practice with Adama
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- 1.4 LOOP Play the strokes 50 (3:08)
- 1.4_LOOP Play the strokes 75 (2:05)
- 1.4_LOOP Play the strokes 100 (1:34)
- 1.5 LOOP Sing and play the strokes 50 (3:43)
- 1.5_LOOP Sing and play the strokes 75 (2:28)
- 1.5_LOOP Sing and play the strokes 100 (1:51)
- 1.6 LOOP Keeping time 50 (4:22)
- 1.6_LOOP_Keeping time 75 (2:55)
- 1.6_LOOP_Keeping time 100 (2:11)
- 1.7 LOOP Flam stroke 50 (2:39)
- 1.7_LOOP_ Flam stroke 75 (1:46)
- 1.7_LOOP_ Flam stroke 100 (1:19)
- 1.7.1 LOOP Call 1 50 (2:30)
- 1.7.1_LOOP Call 1 75 (1:40)
- 1.7.1_LOOP Call 1 100 (1:15)
- 1.7.2 LOOP Call 2 50 (2:38)
- 1.7.2_LOOP Call 2 75 (1:45)
- 1.7.2_LOOP Call 2 100 (1:19)
- 1.7.3 LOOP Call 3 50 (2:38)
- 1.7.3_LOOP Call 3 75 (1:45)
- 1.7.3_LOOP Call 3 100 (1:19)
2. Beginner excercise
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- About this chapter
- Sheet music for chapter 2
- 2.1 The structure of the excercise (1:28)
- 2.2. The excercise (1:43)
- 2.3.1 Sing the call and the base (0:47)
- 2.3.2. Play the call and the base (0:34)
- 2.4.1 Sing the variation 1 (0:29)
- 2.4.2. Play the variation 1 (0:37)
- 2.5.1. Sing the variation 2 (0:28)
- 2.5.2. Play the variation 2 (0:38)
- 2.6.1. Sing the variation 3 (0:23)
- 2.6.2. Play the variation 3 (0:31)
- 2.7. Play the ending (0:27)
- 2.8. Sing the whole excercise (1:55)
- 2.9. Play the whole excercise (1:44)
2. Beginner excercise, LOOPS - Practice with Adama
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- 2.3.2 LOOP The call and the base 50 (2:00)
- 2.3.2 LOOP The call and the base 75 (1:20)
- 2.3.2 LOOP The call and the base 100 (1:00)
- 2.4.2 LOOP Play the variation 1 50 (1:52)
- 2.4.2 LOOP Play the variation 1 75 (1:14)
- 2.4.2 LOOP Play the variation 1 100 (0:56)
- 2.5.2 LOOP Play the variation 2 50 (2:00)
- 2.5.2 LOOP Play the variation 2 75 (1:20)
- 2.5.2 LOOP Play the variation 2 100 (1:00)
- 2.6.2 LOOP Play the variation 3 50 (2:11)
- 2.6.2 LOOP Play the variation 3 75 (1:27)
- 2.6.2 LOOP Play the variation 3 100 (1:05)
- 2.7. LOOP Play the ending 50 (2:07)
- 2.7. LOOP Play the ending 75 (1:24)
- 2.7. LOOP Play the ending 100 (1:03)
3. Advanced excercise
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- About this chapter
- Sheet music for chapter 3
- 3.1 The excercise (1:54)
- 3.2.1 Sing the base (0:26)
- 3.2.2 Play the base (0:27)
- 3.3.1 Sing the variation 1 (0:23)
- 3.3.2 Play the variation 1 (0:23)
- 3.4.1 Sing the variation 2 (0:18)
- 3.4.2 Play the variation 2 (0:26)
- 3.5.1 Sing the whole excercise (0:46)
- 3.5.2 Play the whole excercise (0:52)
- 3.6. Introduction to improvisation (1:46)
- 3.7 Two players (1:00)
3. LOOPS - Practice with Adama
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- 3.2.2 LOOP The base 50 (1:44)
- 3.2.2 LOOP The base 75 (1:09)
- 3.2.2 LOOP The base 100 (0:52)
- 3.3.2 LOOP Play the variation 1 50 (1:06)
- 3.3.2 LOOP Play the variation 1 75 (0:44)
- 3.3.2 LOOP Play the variation 1 100 (0:33)
- 3.4.2 LOOP Play the variation 2 50 (1:22)
- 3.4.2 LOOP Play the variation 2 75 (0:54)
- 3.4.2 LOOP Play the variation 2 100 (0:41)
- 3.6. LOOP improvisation 1 50 (1:46)
- 3.6. LOOP improvisation 1 75 (1:11)
- 3.6. LOOP improvisation 1 100 (0:53)
- 3.6. LOOP improvisation 2 50 (1:17)
- 3.6. LOOP improvisation 2 75 (0:51)
- 3.6. LOOP improvisation 2 100 (0:38)
- 3.6. LOOP improvisation 3 50 (2:00)
- 3.6. LOOP improvisation 3 75 (1:20)
- 3.6. LOOP improvisation 3 100 (1:00)
4. Professional excercise
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- About this chapter
- Sheet music for chapter 4
- 4.1 introduction to Kononi (3:10)
- 4.2.1 Sing the base (0:27)
- 4.2.2 Play the base (0:53)
- 4.3.1 Sing variations 1 and 2 (0:39)
- 4.3.2 Play variations 1 and 2 (0:52)
- 4.4.1 Sing the variation 3 (0:23)
- 4.4.2 Play the variation 3 (0:28)
- 4.5.1 Sing the variation 4 (0:30)
- 4.5.2 Play the variation 4 (0:33)
- 4.6.1 Sing the variation 4 (0:26)
- 4.6.2 Play the variation 5 (0:25)
- 4.7 Kononi, the whole excercise FPV (2:32)
4. LOOPS - Practice with Adama
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- 4.2.2 LOOP The base 50 (0:57)
- 4.2.2 LOOP The base 75 (0:40)
- 4.2.2 LOOP The base 100 (0:30)
- 4.2.2 LOOP The base, hands separately 50 (2:01)
- 4.2.2 LOOP The base, hands separately 75 (0:38)
- 4.2.2 LOOP The base, hands separately 100 (0:26)
- 4.3.2 LOOP variations 1 and 2 50 (3:09)
- 4.3.2 LOOP variations 1 and 2 75 (2:06)
- 4.3.2 LOOP variations 1 and 2 100 (1:34)
- 4.4.2 LOOP variation 3 50 (1:58)
- 4.4.2 LOOP variation 3 75 (1:19)
- 4.4.2 LOOP variation 3 100 (0:59)
- 4.5.2 LOOP variation 4 50 (2:34)
- 4.5.2 LOOP variation 4 75 (1:42)
- 4.5.2 LOOP variation 4 100 (1:17)
- 4.6.2 LOOP variation 5 50 (2:35)
- 4.6.2 LOOP variation 5 75 (1:43)
- 4.6.2 LOOP variation 5 100 (1:17)
- 4.6.2 LOOP improvisation 1 50 (0:45)
- 4.6.2 LOOP improvisation 1 75 (0:30)
- 4.6.2 LOOP improvisation 1 100 (0:22)
- 4.6.2 LOOP improvisation 2 50 (1:39)
- 4.6.2 LOOP improvisation 2 75 (1:06)
- 4.6.2 LOOP improvisation 2 100 (0:49)
- 4.6.2 LOOP improvisation 3 50 (2:12)
- 4.6.2 LOOP improvisation 3 75 (1:28)
- 4.6.2 LOOP improvisation 3 100 (1:06)
5. Yagba
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- About this chapter
- Sheet music for chapter 5
- 5.1 Introduction (0:37)
- 5.2 Yagba, the whole rhythm (3:11)
- 5.3.1 Sing the call and accompaniments 1and 2 (0:59)
- 5.3.2 Play the call and accompaniment 1 (0:32)
- 5.3.3 Play the call and accompaniment 2 (0:28)
- 5.4.1 Sing the call and the base (0:31)
- 5.4.2 Play the call and the base (0:29)
- 5.5.1 Sing the variations (2:03)
- 5.6.1 Sing the ending (0:41)
- 5.6.2 Play the ending (0:17)
- 5.7 Dundun (1:16)
- 5.8 Yagba, play along (3:12)
5. LOOPS - Practice with Adama
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- 5.3.2 LOOP The call and accompaniment 1 50 (1:43)
- 5.3.2 LOOP The call and accompaniment 1 75 (1:09)
- 5.3.2 LOOP The call and accompaniment 1 100 (0:51)
- 5.3.3 LOOP The call and accompaniment 2 50 (1:37)
- 5.3.3 LOOP The call and accompaniment 2 75 (1:04)
- 5.3.3 LOOP The call and accompaniment 2 100 (0:48)
- 5.4.2 LOOP the call and the base 50 (1:54)
- 5.4.2 LOOP the call and the base 75 (1:16)
- 5.4.2 LOOP the call and the base 100 (0:57)
- 5.5.1 LOOP variation 1 50 (1:17)
- 5.5.1 LOOP variation 1 75 (0:51)
- 5.5.1 LOOP variation 1 100 (0:38)
- 5.5.2 LOOP variation 2 50 (2:13)
- 5.5.2 LOOP variation 2 75 (1:29)
- 5.5.2 LOOP variation 2 100 (1:06)
- 5.5.3. LOOP variation 3 50 (1:56)
- 5.5.3. LOOP variation 3 75 (1:17)
- 5.5.3. LOOP variation 3 100 (0:58)
- 5.5.4 LOOP variation 4 50 (1:53)
- 5.5.4 LOOP variation 4 75 (1:15)
- 5.5.4 LOOP variation 4 100 (0:56)
- 5.5.5 LOOP variation 5 50 (2:02)
- 5.5.5 LOOP variation 5 75 (1:21)
- 5.5.5 LOOP variation 5 100 (1:01)
- 5.5.6 LOOP variation 6 50 (1:59)
- 5.5.6 LOOP variation 6 75 (1:20)
- 5.5.6 LOOP variation 6 100 (1:00)
- 5.5.7 LOOP variation 7 50 (1:59)
- 5.5.7 LOOP variation 7 75 (1:19)
- 5.5.7 LOOP variation 7 100 (0:59)
- 5.5.8 LOOP variation 8 50 (1:59)
- 5.5.8 LOOP variation 8 75 (1:20)
- 5.5.8 LOOP variation 8 100 (1:00)
- 5.5.9 LOOP variation 9 50 (1:57)
- 5.5.9 LOOP variation 9 75 (1:18)
- 5.5.9 LOOP variation 9 100 (0:58)
- 5.5.10 LOOP variation 10 50 (1:53)
- 5.5.10 LOOP variation 10 75 (1:15)
- 5.5.10 LOOP variation 10 100 (0:56)
- 5.5.11 LOOP variation 11 50 (2:00)
- 5.5.11 LOOP variation 11 75 (1:20)
- 5.5.11 LOOP variation 11 100 (1:00)
- 5.5.12 LOOP variation 12 50 (2:09)
- 5.5.12 LOOP variation 12 75 (1:26)
- 5.5.12 LOOP variation 12 100 (1:04)
- 5.6.2 LOOP the ending 50 (2:11)
- 5.6.2 LOOP the ending 75 (1:27)
- 5.6.2 LOOP the ending 100 (1:05)
- 5.7.1 LOOP Play along 50 (2:03)
- 5.7.1 LOOP Play along 75 (1:22)
- 5.7.1 LOOP Play along 100 (1:01)
- 5.7.2 LOOP Practice the variations 75 (4:50)
- 5.7.2 LOOP Practice the variations 100 (3:37)
- 5.7.2 LOOP Practice the variations 50 (7:15)
- 5.7.3 Yagba djembe play along 50 (6:17)
- 5.7.3 Yagba djembe play along 75 (4:12)
- 5.7.3 Yagba djembe play along 100 (3:09)
6. Dafra
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- About this chapter
- Sheet music chapter 6
- 6.1 introduction to Dafra (0:43)
- 6.1.1 Dafra, the whole piece (3:30)
- 6.2.1 LOOP The call, phrase 1 50 (2:15)
- 6.2.1 LOOP The call, phrase 1 75 (1:30)
- 6.2.1 LOOP The call, phrase 1 100 (1:07)
- 6.2.2. LOOP The call, phrase 2 50 (2:30)
- 6.2.2. LOOP The call, phrase 2 75 (1:40)
- 6.2.2. LOOP The call, phrase 2 100 (1:15)
- 6.2.3 LOOP The call, phrase 3 50 (2:08)
- 6.2.3 LOOP The call, phrase 3 75 (1:25)
- 6.2.3 LOOP The call, phrase 3 100 (1:04)
- 6.2.4 LOOP Fill and entry to base 50 (2:02)
- 6.2.4 LOOP Fill and entry to base 75 (1:21)
- 6.2.4 LOOP Fill and entry to base 100 (1:01)
- 6.2.5. LOOP The base 50 (1:58)
- 6.2.5. LOOP The base 75 (1:19)
- 6.2.5. LOOP The base 100 (0:59)
- 6.2.6. LOOP variation 1 50 (2:06)
- 6.2.6. LOOP variation 1 75 (1:24)
- 6.2.6. LOOP variation 1 100 (1:03)
- 6.2.7 LOOP variation 2 50 (1:58)
- 6.2.7 LOOP variation 2 75 (1:19)
- 6.2.7 LOOP variation 2 100 (0:59)
- 6.2.8 LOOP variation 3 75 (1:16)
- 6.2.8 LOOP variation 3 50 (1:54)
- 6.2.8 LOOP variation 3 100 (0:57)
- 6.2.9 LOOP variation 4 50 (2:00)
- 6.2.9 LOOP variation 4 75 (1:20)
- 6.2.9 LOOP variation 4 100 (1:00)
- 6.2.10 LOOP variation 5 50 (2:10)
- 6.2.10 LOOP variation 5 75 (1:27)
- 6.2.10 LOOP variation 5 100 (1:05)
- 6.2.11 LOOP Practice the call 50 (2:53)
- 6.2.11 LOOP Practice the call 75 (1:55)
- 6.2.11 LOOP Practice the call 100 (1:26)
- 6.2.12 LOOP improvisation 1 50 (2:37)
- 6.2.12 LOOP improvisation 1 75 (1:45)
- 6.2.12 LOOP improvisation 1 100 (1:19)
- 6.2.13 LOOP improvisation 2 50 (2:03)
- 6.2.13 LOOP improvisation 2 75 (1:22)
- 6.2.13 LOOP improvisation 2 100 (1:01)
- 6.2.14 LOOP improvisation 3 75 (1:15)
- 6.2.14 LOOP improvisation 3 50 (1:53)
- 6.2.14 LOOP improvisation 3 100 (0:56)
- 6.2.15 LOOP improvisation 4 50 (2:25)
- 6.2.15 LOOP improvisation 4 75 (1:37)
- 6.2.15 LOOP improvisation 4 100 (1:12)
- 6.2.16 LOOP ending (similar as the call) 50 (2:44)
- 6.2.16 LOOP ending (similar as the call) 75 (1:49)
- 6.2.16 LOOP ending (similar as the call) 100 (1:22)
- 6.3 Dafra, Play along 75 (4:36)
- 6.3 Dafra, Play along 50 (6:52)
- 6.3 Dafra, Play along (3:30)
7. Elodia
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- About this chapter
- Sheet music, chapter 7
- 7.1.1 introduction to Elodia (0:28)
- 7.1.2 Elodia, the whole piece (4:38)
- 7.2.1 LOOP The call 50 (1:27)
- 7.2.1 LOOP The call 75 (0:58)
- 7.2.1 LOOP The call 100 (0:44)
- 7.2.2 LOOP the base, left hand 50 (1:59)
- 7.2.2 LOOP the base, left hand 75 (1:19)
- 7.2.2 LOOP the base, left hand 100 (0:59)
- 7.2.3 LOOP The call and the base 50 (2:19)
- 7.2.3 LOOP The call and the base 75 (1:32)
- 7.2.3 LOOP The call and the base 100 (1:09)
- 7.2.4 LOOP Variation 1 50 (1:40)
- 7.2.4 LOOP Variation 1 75 (1:07)
- 7.2.4 LOOP Variation 1 100 (0:50)
- 7.2.5 LOOP Variation 2 50 (1:58)
- 7.2.5 LOOP Variation 2 75 (1:18)
- 7.2.5 LOOP Variation 2 100 (0:59)
- 7.2.6 LOOP Variation 3 50 (1:54)
- 7.2.6 LOOP Variation 3 75 (1:16)
- 7.2.6 LOOP Variation 3 100 (0:57)
- 7.2.7 LOOP Variation 4 50 (1:49)
- 7.2.7 LOOP Variation 4 75 (1:12)
- 7.2.7 LOOP Variation 4 100 (0:54)
- 7.2.8 LOOP Variation 5 50 (2:24)
- 7.2.8 LOOP Variation 5 75 (1:36)
- 7.2.8 LOOP Variation 5 100 (1:12)
- 7.2.9 LOOP Variation 6 50 (2:20)
- 7.2.9 LOOP Variation 6 75 (1:33)
- 7.2.9 LOOP Variation 6 100 (1:10)
- 7.2.10 LOOP Variations 6 and 7 50 (2:33)
- 7.2.10 LOOP Variations 6 and 7 75 (1:42)
- 7.2.10 LOOP Variations 6 and 7 100 (1:16)
- 7.2.11 LOOP Variation 8 50 (1:37)
- 7.2.11 LOOP Variation 8 75 (1:05)
- 7.2.11 LOOP Variation 8 100 (0:48)
- 7.2.12 LOOP Variation 8 50 (1:53)
- 7.2.12 LOOP Variation 8 75 (1:15)
- 7.2.12 LOOP Variation 8 100 (0:56)
- 7.2.13 LOOP Variation 10 50 (1:38)
- 7.2.13 LOOP Variation 10 75 (1:05)
- 7.2.13 LOOP Variation 10 100 (0:49)
- 7.2.14. LOOP Variation 11 50 (1:49)
- 7.2.14. LOOP Variation 11 75 (1:13)
- 7.2.14. LOOP Variation 11 100 (0:54)
- 7.2.15. LOOP Variation 12 75 (1:04)
- 7.2.15. LOOP Variation 12 100 (0:48)
- 7.2.16. LOOP variations 11 and 12 75 (1:19)
- 7.2.16. LOOP variations 11 and 12 100 (0:59)
- 7.2.16. LOOP variations 11 and 12 50 (1:58)
- 7.2.17 LOOP improvisation 1, bars 1-16 50 (3:56)
- 7.2.17 LOOP improvisation 1, bars 1-16 75 (2:37)
- 7.2.17 LOOP improvisation 1, bars 1-16 100 (1:58)
- 7.2.18 LOOP improvisation 1, bars 1-4 50 (2:04)
- 7.2.18 LOOP improvisation 1, bars 1-4 75 (1:22)
- 7.2.18 LOOP improvisation 1, bars 1-4 100 (1:02)
- 7.2.19 LOOP improvisation 1, bars 5-8 50 (2:00)
- 7.2.19 LOOP improvisation 1, bars 5-8 75 (1:20)
- 7.2.19 LOOP improvisation 1, bars 5-8 100 (1:00)
- 7.2.20 LOOP improvisation 1, bars 9-12 50 (1:26)
- 7.2.20 LOOP improvisation 1, bars 9-12 75 (0:57)
- 7.2.20 LOOP improvisation 1, bars 9-12 100 (0:43)
- 7.2.21 LOOP improvisation 1, bars 13-16 100 (0:43)
- 7.2.21 LOOP improvisation 1, bars 13-16 50 (1:26)
- 7.2.21 LOOP improvisation 1, bars 13-16 75 (0:57)
- 7.2.22 LOOP improvisation 2, bars 1-16 50 (2:47)
- 7.2.22 LOOP improvisation 2, bars 1-16 75 (1:51)
- 7.2.22 LOOP improvisation 2, bars 1-16 100 (1:23)
- 7.2.23 LOOP improvisation 2, bars 1-4 50 (1:53)
- 7.2.23 LOOP improvisation 2, bars 1-4 75 (1:15)
- 7.2.23 LOOP improvisation 2, bars 1-4 100 (0:56)
- 7.2.24 LOOP improvisation 2, bars 5-8 50 (1:50)
- 7.2.24 LOOP improvisation 2, bars 5-8 75 (1:13)
- 7.2.24 LOOP improvisation 2, bars 5-8 100 (0:55)
- 7.2.25 LOOP improvisation 2, bars 9-12 50 (1:54)
- 7.2.25 LOOP improvisation 2, bars 9-12 75 (1:16)
- 7.2.25 LOOP improvisation 2, bars 9-12 100 (0:57)
- 7.2.26 LOOP improvisation 2, bars 13-16 50 (2:01)
- 7.2.26 LOOP improvisation 2, bars 13-16 75 (1:20)
- 7.2.26 LOOP improvisation 2, bars 13-16 100 (1:00)
- 7.2.27 LOOP improvisation 3, bars 1-16 50 (2:37)
- 7.2.27 LOOP improvisation 3, bars 1-16 75 (1:45)
- 7.2.27 LOOP improvisation 3, bars 1-16 100 (1:18)
- 7.2.28 LOOP improvisation 3, bars 1-4 50 (2:10)
- 7.2.28 LOOP improvisation 3, bars 1-4 75 (1:27)
- 7.2.28 LOOP improvisation 3, bars 1-4 100 (1:05)
- 7.2.29 LOOP improvisation 3, bars 5-8 50 (1:57)
- 7.2.29 LOOP improvisation 3, bars 5-8 75 (1:18)
- 7.2.29 LOOP improvisation 3, bars 5-8 100 (0:58)
- 7.2.30 LOOP improvisation 3, bars 9-12 50 (2:11)
- 7.2.30 LOOP improvisation 3, bars 9-12 75 (1:27)
- 7.2.30 LOOP improvisation 3, bars 9-12 100 (1:05)
- 7.2.31 LOOP improvisation 3, bars 13-16 50 (1:48)
- 7.2.31 LOOP improvisation 3, bars 13-16 75 (1:12)
- 7.2.31 LOOP improvisation 3, bars 13-16 100 (0:54)
- 7.2.32 LOOP improvisation 4, bars 1-16 50 (2:35)
- 7.2.32 LOOP improvisation 4, bars 1-16 75 (1:43)
- 7.2.32 LOOP improvisation 4, bars 1-16 100 (1:17)
- 7.2.33 LOOP improvisation 4, bars 1-4 75 (1:20)
- 7.2.33 LOOP improvisation 4, bars 1-4 50 (2:00)
- 7.2.33 LOOP improvisation 4, bars 1-4 100 (1:00)
- 7.2.34 LOOP improvisation 4, bars 5-8 50 (2:12)
- 7.2.34 LOOP improvisation 4, bars 5-8 75 (1:28)
- 7.2.34 LOOP improvisation 4, bars 5-8 100 (1:06)
- 7.2.35 LOOP improvisation 4, bars 9-12 50 (2:04)
- 7.2.35 LOOP improvisation 4, bars 9-12 75 (1:22)
- 7.2.35 LOOP improvisation 4, bars 9-12 100 (1:02)
- 7.2.36 LOOP improvisation 4, bars 13-16 50 (2:06)
- 7.2.36 LOOP improvisation 4, bars 13-16 75 (1:24)
- 7.2.36 LOOP improvisation 4, bars 13-16 100 (1:03)
- 7.2.37 LOOP Ending 50 (2:09)
- 7.2.37 LOOP Ending 75 (1:26)
- 7.2.37 LOOP Ending 100 (1:04)
- 7.3. Elodia, Play along 50 (9:06)
- 7.3. Elodia, Play along 75 (6:04)
- 7.3. Elodia, Play along (4:36)
8. Drame Lambe
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- About This Chapter
- Sheet music chapter 8
- 8.1.1 Introduction to Drame lambe (0:38)
- 8.1.2 Drame lambe, the whole piece (5:43)
- 8.2.1 LOOP Call 50 (1:39)
- 8.2.1 LOOP Call 75 (1:06)
- 8.2.1 LOOP Call 100 (0:49)
- 8.2.2 LOOP Base 50 (1:58)
- 8.2.2 LOOP Base 75 (1:19)
- 8.2.2 LOOP Base 100 (0:59)
- 8.2.3 LOOP variation 1 50 (2:00)
- 8.2.3 LOOP variation 1 75 (1:20)
- 8.2.3 LOOP variation 1 100 (1:00)
- 8.2.4 LOOP variation 2 50 (2:02)
- 8.2.4 LOOP variation 2 75 (1:21)
- 8.2.4 LOOP variation 2 100 (1:01)
- 8.2.5 LOOP variation 3 50 (1:59)
- 8.2.5 LOOP variation 3 75 (1:20)
- 8.2.5 LOOP variation 3 100 (1:00)
- 8.2.6 LOOP variation 4 50 (1:59)
- 8.2.6 LOOP variation 4 75 (1:19)
- 8.2.6 LOOP variation 4 100 (0:59)
- 8.2.7 LOOP variation 5 50 (1:57)
- 8.2.7 LOOP variation 5 75 (1:18)
- 8.2.7 LOOP variation 5 100 (0:58)
- 8.2.8 LOOP variation 6 50 (2:10)
- 8.2.8 LOOP variation 6 75 (1:26)
- 8.2.8 LOOP variation 6 100 (1:05)
- 8.2.9 LOOP variation 7 50 (1:58)
- 8.2.9 LOOP variation 7 75 (1:19)
- 8.2.9 LOOP variation 7 100 (0:59)
- 8.2.10 LOOP variation 8 50 (1:31)
- 8.2.10 LOOP variation 8 75 (1:00)
- 8.2.10 LOOP variation 8 100 (0:45)
- 8.2.11 LOOP variation 9 50 (2:04)
- 8.2.11 LOOP variation 9 75 (1:22)
- 8.2.11 LOOP variation 9 100 (1:02)
- 8.2.12 LOOP variation 10 50 (1:58)
- 8.2.12 LOOP variation 10 75 (1:19)
- 8.2.12 LOOP variation 10 100 (0:59)
- 8.2.13 LOOP variation 11 50 (2:00)
- 8.2.13 LOOP variation 11 75 (1:20)
- 8.2.13 LOOP variation 11 100 (1:00)
- 8.2.14 LOOP variation 12 50 (2:07)
- 8.2.14 LOOP variation 12 75 (1:24)
- 8.2.14 LOOP variation 12 100 (1:03)
- 8.2.15 LOOP variation 13 50 (1:56)
- 8.2.15 LOOP variation 13 75 (1:17)
- 8.2.15 LOOP variation 13 100 (0:58)
- 8.2.16 LOOP variation 14 50 (1:59)
- 8.2.16 LOOP variation 14 75 (1:19)
- 8.2.16 LOOP variation 14 100 (0:59)
- 8.2.17 LOOP variation 15 50 (2:11)
- 8.2.17 LOOP variation 15 75 (1:27)
- 8.2.17 LOOP variation 15 100 (1:05)
- 8.2.18 LOOP variation 16 50 (2:02)
- 8.2.18 LOOP variation 16 75 (1:21)
- 8.2.18 LOOP variation 16 100 (1:01)
- 8.2.19 LOOP variation 17 4 bars 75 (1:27)
- 8.2.19 LOOP variation 17 4 bars 50 (2:11)
- 8.2.19 LOOP variation 17 4 bars 100 (1:05)
- 8.2.20 LOOP variation 18 4 bars 50 (2:19)
- 8.2.20 LOOP variation 18 4 bars 75 (1:33)
- 8.2.20 LOOP variation 18 4 bars 100 (1:09)
- 8.2.21 LOOP variation 19 6 bars 50 (1:58)
- 8.2.21 LOOP variation 19 6 bars 75 (1:18)
- 8.2.21 LOOP variation 19 6 bars 100 (0:59)
- 8.2.22 LOOP variation 20 4 bars 50 (2:10)
- 8.2.22 LOOP variation 20 4 bars 75 (1:26)
- 8.2.22 LOOP variation 20 4 bars 100 (1:05)
- 8.2.23 LOOP variation 21 2 bars 50 (2:01)
- 8.2.23 LOOP variation 21 2 bars 75 (1:20)
- 8.2.23 LOOP variation 21 2 bars 100 (1:00)
- 8.2.24 LOOP variation 22 50 (1:56)
- 8.2.24 LOOP variation 22 75 (1:17)
- 8.2.24 LOOP variation 22 100 (0:58)
- 8.2.25 LOOP improvisation 1 16 bars 50 (5:13)
- 8.2.25 LOOP improvisation 1 16 bars 75 (3:29)
- 8.2.25 LOOP improvisation 1 16 bars 100 (2:36)
- 8.2.26 LOOP improvisation 1 bars 1-8 50 (4:01)
- 8.2.26 LOOP improvisation 1 bars 1-8 75 (2:40)
- 8.2.26 LOOP improvisation 1 bars 1-8 100 (2:00)
- 8.2.27 LOOP improvisation 1 bars 9-16 50 (2:07)
- 8.2.27 LOOP improvisation 1 bars 9-16 75 (1:25)
- 8.2.27 LOOP improvisation 1 bars 9-16 100 (1:04)
- 8.2.28 LOOP improvisation 2 16 bars 50 (2:43)
- 8.2.28 LOOP improvisation 2 16 bars 75 (1:49)
- 8.2.28 LOOP improvisation 2 16 bars 100 (1:21)
- 8.2.29 LOOP improvisation 2 bars 1-8 50 (2:18)
- 8.2.29 LOOP improvisation 2 bars 1-8 75 (1:32)
- 8.2.29 LOOP improvisation 2 bars 1-8 100 (1:09)
- 8.2.30 LOOP improvisation 2 bars 9-16 50 (2:13)
- 8.2.30 LOOP improvisation 2 bars 9-16 75 (1:29)
- 8.2.30 LOOP improvisation 2 bars 9-16 100 (1:07)
- 8.2.31 LOOP improvisation 3 16 bars 50 (2:34)
- 8.2.31 LOOP improvisation 3 16 bars 75 (1:42)
- 8.2.31 LOOP improvisation 3 16 bars 100 (1:17)
- 8.2.32 LOOP improvisation 3 bars 1-8 50 (2:08)
- 8.2.32 LOOP improvisation 3 bars 1-8 75 (1:25)
- 8.2.32 LOOP improvisation 3 bars 1-8 100 (1:04)
- 8.2.33 LOOP improvisation 3 bars 9-16 50 (2:07)
- 8.2.33 LOOP improvisation 3 bars 9-16 75 (1:25)
- 8.2.33 LOOP improvisation 3 bars 9-16 100 (1:03)
- 8.3 Drame lambe, Play along 50 (11:23)
- 8.3 Drame lambe, Play along 75 (7:35)
- 8.3 Drame lambe, Play along (5:44)
Credits
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